Tuesday, October 27, 2009
Monday, October 26, 2009
CHAMPAGNE WISHES AND CAVIAR DREAMS FROM GURHAN!
Featured in the September/October 2009 issue of Elite Traveler magazine.
Gorgeous Boho-Chic diamond necklace unearth's beauty beyond traditional gemstones. Crafted in his 24k gold, the necklace showcases a quartet of bezel set champagne diamond slices. Looking significantly more raw than a traditional diamond cut, these gems have an organic quality that is perfectly complemented by the rustic design of the mounting.
The necklace has the aura of a precious and powerful talisman.
Once again, Gurhan has created a rare treasure of inspired artisan craftsmanship.
Friday, October 23, 2009
GURHAN
"I seek to evoke the past in the context of the present. When I create my jewelry, I enter the mind of the ancient goldsmiths, reincarnating the mystery of their techniques and their spirit, and reinterpreting it with the inspiration of today's refined elegance."
DODO BLACK DIAMOND BATS: The Night is Young!
Thursday, October 22, 2009
DODO: Pomellato's Little One's
This collection is the sweetest gift you could ever give to someone.
Dodo is a Brand of Luxury!
Dodo will be your favorite luxury accessory piece.
It is an everyday chic and elegant jewelry piece that will wear with something casual or your favorite LBD (Little Black Dress).
Friday, October 9, 2009
Wednesday, October 7, 2009
PAUL MORELLI
Paul works exclusively in 18-karat gold and platinum, favoring mostly diamonds and pearls, crafting these raw materials into fresh shapes and forms with every new collection. While many designers have an instantly recognizable style, jewelry from the Paul Morelli studio is distinguished by its fine workmanship and technique rather than by a signature motif. The styles are fluid, but the artistry remains constant: as Paul explains it, “I design jewelry in the same way that fashion designers design clothes, creating fresh perspectives every season.”
The comparison with clothing design is no accident. Paul, a member of the Council of Fashion Designers of America, has been immersed in the design world since childhood, when he worked as an apprentice to his father, an opera and theater costume designer based in Philadelphia. His love of fashion and art, his precise, perfectionist nature and his preference for working with his hands led Paul on a different, parallel path: the exacting and challenging avenue of jewelry design.
He established his studio in 1982 in his father’s former costume atelier, which he transformed into a workshop and showroom with a clean, contemporary aesthetic that provides and elegant backdrop to the intricately wrought pieces. It is in this lofty, light-filled space that the jewelry is conceived, designed and made by hand, in the tradition of the European masters.
BARBARA HEINRICH
My motivation to create jewelry is like an inborn momentum, which I do not take credit for, for it has been with me as long as I can remember. Specific inspirations are often the starting point for a new body of work; they set off the creative process, which is so crucial for any artist. In order to allow the creative process to unfold, I keep an empty space in myself at all times, undisturbed by distractions or business and uncluttered by preconceived images or aesthetic judgments. This empty space is sometimes scary to enter because nothing exists in there, not even my own skills and accomplishments. In this empty space, the creative power takes over and my inner eye conceives new pieces or ideas before they are given birth by my goldsmith skills at the workbench. Anything can serve as inspiration for me: remembering a fairy tale from my childhood, looking back at a painting, studying natural forms, or simply daydreaming. It takes the right time and circumstances for the inspiration to set off the creative process and serve as the initial impulse for a new piece of jewelry. I prepare myself by keeping a sketchbook at hand, my way of catching the ideas and images before they flee back into the realm of the invisible and uncreated.